The only official website –- and, in all probability, the only factually correct website –- for the author Benjamin Hoff.
His latest book, available December 7, 2021, is titled The Eternal Tao Te Ching, based on the meanings of the ancient Chinese characters in use when the Taoist classic was written. It is the first translation to employ the meanings of the pre-writing brush characters in use 2,400 years ago, when the classic was written, rather than relying on the often-different meanings of the more modern brush characters, as other translations have done.
The Tao of Pooh –- an international bestseller and the first Taoist-authored book in history to appear on bestseller lists –- was on The New York Times’ bestseller list for 49 weeks. Its international-bestseller successor, The Te of Piglet, was on New York Times for 59 weeks.
Both books brought the previously obscure philosophy of Taoism to the attention of mainstream America. (For a couple of examples of how mainstream: The Tao of Pooh was the subject of a question in a TV Guide crossword puzzle; The Te of Piglet was the subject of a question on the television show “Jeopardy.”)
For years they have been used as high school and college texts for classes in a wide variety of subjects, including science, business, philosophy, literature, and world culture.
They have been publicly endorsed by notables such as English pop-philosophy author John Tyerman Williams, American marketing communication guru Michael Ray, Wall Street investment counselor and author Bennet Goodspeed, and popular screen actress Julia Roberts.
The Singing Creek Where the Willows Grow, the book most often credited with the current worldwide interest in Opal Whiteley, won an American Book Award. It is the only book on Opal Whiteley popularly acknowledged as a “cult classic.”
In 2010, as part of the publisher’s 75th anniversary celebration, Penguin Books selected The Tao of Pooh to be one of the 75 books featured in the house’s printed promotion and public displays.
The descendant of two family lines of artists, engineers, and explorers, Benjamin Hoff has been a writer, an investigative photojournalist, a tree pruner, a songwriter, and a recording musician and singer. He has studied architecture, music, fine arts, graphic design, and Asian culture –- including Japanese Tea Ceremony (third certificate level), Japanese fine-pruning methods (two years of apprenticeship), and the comparatively esoteric martial-art form of T’ai Chi Ch’uan (four years of instruction, including a year of Ch’i Kung).
He attended Sylvan School, West Sylvan Middle School, Benson Polytechnic, Lincoln High School (the latter two in Portland), the University of Oregon in Eugene, the Museum Art School (now the Pacific Northwest College of Art) in Portland, and The Evergreen State College in Olympia, Washington, from which he graduated with a B.A. degree.
From his father –- a scholar and collector of Asian art, and a close friend of the landscape painter Chiura Obata –- he gained a familiarity with and a love of Eastern ways; from his mother’s English/Irish/Welsh family background, he gained a familiarity with and a love of British literature and culture. These East/West influences eventually came together in the writing of The Tao of Pooh and The Te of Piglet.
Benjamin Hoff enjoys playing classical guitar, composing music, photographing nature, and “improving things.” At present, he is designing a line of revolutionary solidbody electric guitars and speaker cabinets.
Benjamin Hoff is listed in Who’s Who in America, and is one of only 55,000 individuals selected from the populations of 215 nations and territories to be listed in Who’s Who in the World.
In April 2018 he was awarded the 2018 Albert Nelson Marquis Lifetime Achievement Award. This award is bestowed upon less than 5% of Marquis Who's Who biographical listees.
Benjamin Hoff has not authorized any e-book editions of these books: The Tao of Pooh, The Te of Piglet, The Singing Creek Where the Willows Grow. Any company or organization that states or implies that it has his authorization for its e-book editions of his work is lying as well as stealing. Anyone purchasing or downloading any e-book editions of these books is violating the author’s rights.
April 20, 2018
The Trustees of the Pooh Properties
c/o Ms. Stephanie Thwaites
London SW1Y 4SP England
To Whom it May Concern:
Thanks to a provision of revised U.S. copyright law, I will be recapturing the U.S. copyright for The Tao of Pooh as of December 15 of this year. I thought it best to inform the Trustees and Curtis Brown as to why I'm taking this action, so there will be -- I hope -- no misunderstanding.
Penguin's proposed contract for renewing their right to publish, the terms of which they claim are the best they can manage, seems to me a "We're taking it all this time around" agreement. But I am more substantially concerned with their long-standing and consistently disrespectful and uncaring treatment of the book's author -- a "We're not going to do you any favors" attitude that seems especially inappropriate when directed toward an author whose books have earned their corporation millions of dollars not because of expensive promotion but primarily by word-of-mouth. I believe the following three examples of Penguin's author-treatment will be enough to make the point, although I could supply many more:
(1) When Penguin chose The Tao of Pooh to be one of the 75 books representing the publisher for their seventy-fifth-year anniversary celebration, I received no congratulatory letter informing me that the book had been chosen. Nor did I receive any of the memorabilia (poster, etc.) made for the celebration's public displays and press releases. When I read or heard about the events, I wrote to Penguin asking for a poster. I was sent a vinyl shopping bag -- the only thing, I was told, that had been left over.
(2) Over the years I have requested from various people at Penguin a list of the books and magazines that have quoted from The Tao of Pooh -- which I've been told is one of the most-quoted-from books in recent times. The response each time is that to grant my request would be "too much bother."
(3) For a quarter-century -- since 1993, when The Tao of Pooh and The Te of Piglet were simultaneously on The New York Times' bestseller list, for which I was listed in the American Booksellers Association newsletter in 1994 as one of the top-selling paperback authors of the year, yet received a suspiciously small amount of forwarded reader and professional mail (requests for public appearances at book-signings or other events) -- I have voiced my concerns about what others in the book-business have told me is an impossibly small quantity of mail. For six years and three months now I have received no forwarded mail whatever -- no reader-letters, no books to sign or endorse, no requests for public appearances, etc. When I placed a notice to that effect on my website, along with a Post Office box address at which website-readers could reach me, I received more mail in the year or so of the notice than I had received for many years by way of Penguin. Some readers wrote to me at the P.O. box saying that they had sent copies of their letters to me in care of Penguin so that I could see if they were forwarded to me. Not one of the letter-copies arrived at my home address, forwarded to me by Penguin. Over the years I have asked various people at Penguin to make a thorough physical search for my missing mail, going beyond the mailroom if possible. Each time my request was dismissed. At first, when I was receiving some mail, I was told, "If you're not receiving much mail, it means not many people are writing to you." When I later pointed out (over six years ago) that I was not receiving any forwarded mail, I was told, "That's because no one is writing to you." Tao of Pooh book sales for the U.S. and beyond are such that only an idiot would believe such a statement. But an idiot is evidently what these people take me for.
I have endured enough incidents of mean-spirited treatment including the above during my 36 years with Dutton-then-Penguin to convince me that I must now go elsewhere. That, in summary, is my explanation.
P.S. A few days ago I received a letter from Marquis Publications, publisher of Who's Who in America and Who's Who in the World (in both of which I'm listed), saying in part: "I am pleased to announce that you are being considered for the 2018 Albert Nelson Marquis Lifetime Achievement Award.... The Lifetime Achievement Award is bestowed upon less than 5% of Marquis biographical listees."
According to USPS Tracking, the above letter was delivered on April 25. As of June 15, I have received no reply.
June 20, 2018
Dear Ms. Thwaites:
Regarding your just-received reply of June 11 to my letter of April 20:
In that case, as of December 15 there will be no U.S. publication of The Tao of Pooh. I will not prolong an abusive relationship with a publisher that continues to treat me with contempt.
As of August 20th, I have received no reply.
The Trustees of the Pooh Properties -- who, it would seem, have no interest in granting me the right to take The Tao of Pooh to a more appreciative publisher -- will lose their permissions-fees payments of 40% of my Penguin U.S. paperback royalties and 33 1/3% of my Penguin U.S. hardcover royalties starting on December 15, when the Penguin U.S. editions become illegal.
UPDATE: AUGUST 14, 2019
As of December 15, 2019, Penguin is no longer the owner of the copyright to The Tao of Pooh. Since that date, all sales of new editions of the book by Penguin or Dutton in the U.S and its territories and possessions have been in violation of U.S. copyright law.
Penguin has never owned e-book rights to The Tao of Pooh. Therefore all permissions that Penguin may have granted to others to publish e-book editions of the book -- including the Kindle and various library editions -- have been granted illegally. None of the publishers of the e-book editions of The Tao of Pooh listed on the Internet have asked for my permission to publish. They all have taken my permission without asking. All of these e-books are illegal.